An odd wrinkle in the globalization of popular culture has given Massachusetts a certain currency as a place where traditional forms of masculine virtue still thrive. Movies have played a key role. The state’s efforts to attract film production, especially the film tax credit, have enabled a string of movies — “Mystic River,’’ “The Departed,’’ “Gone Baby Gone,’’ “Edge of Darkness,’’ and, next up, “The Fighter’’ and Ben Affleck’s “The Town’’ — that glorify white-ethnic (usually Irish) styles of toughness associated with working-class neighborhoods in places like Boston and Lowell. Native storytellers like Affleck, Wahlberg, and Dennis Lehane are responsible for this lionizing of Boston-area regular guys, but so are internationally prominent mythmakers from elsewhere like Clint Eastwood, Martin Scorsese, and Mel Gibson. With the help of local casting consultants and dialogue coaches, they come here, of all places, to get some of that potent homegrown stuff.

Productions of all types and sizes are hitting the road and bringing into
play what this country has to offer beyond the glitz and glamour of Tinsel Town. With tax incentive programs, a deep crew base and bountiful infrastructure, filmmakers will find themselves hard pressed to find a reason not to film in this great state.

Newton homey John Krasinski (THE OFFICE) and his British-born fiancee, Emily Blunt (THE DEVIL WEARS PRADA), finally exchanged vows this past weekend at the Villa D’este in Como, Italy. “John and Emily were married on Saturday in a private ceremony,” Krasinski’s rep told Us Weekly mag. Blunt won a Golden Globe in 2007 for her performance in the TV movie “Gideon’s Daughter.”

“I had Angie Harmon out here for three or four days shadowing the homicide unit,” said Boston Police Detective Russell Grant. “She got to see a real homicide scene in Dorchester. And then I had Lee Thompson Young (who plays another detective) get a feel for the homicide unit, and Jordan Bridges, who plays Jane’s brother who is a uniform guy, rode along with the guys from District 4.” So, Detective, got a lead on why this TV show is not being filmed in Boston??? “Oh, don’t get me started,” he laughed. “I know at one point they wanted to come here to film but the actors thought it would be too much of a hardship.

If the nonprofit Dreamland Foundation has its way, its goal of reviving the much-loved Dreamland Theatre, which closed in 2005, is closer to realization than any previous efforts have been, lifting the hopes of 10,000 islanders and some 40,000 vacationers. With millions of dollars raised and a few million more to go, the foundation expects to break ground on a new 340-seat theater this fall.

While taking a breather from Hollywood, visual effects pioneer Douglas Trumbull (“2001: A Space Odyssey” and “Close Encounters of the Third Kind”) re-located to the Berkshires in 1987 — ultimately begetting a cluster of visual effects companies in the area.

The cluster has seen several core companies depart since the mid-1990s. Now, Trumbull, who remains in the Berkshires, hopes to inspire a new wave of visual effects firms to migrate to the area. His plan to accomplish this? Produce a sci-fi film entirely in Western Massachusetts.

The story involves glitz, intrigue, and indictments. No, it’s not a soap opera plot. It’s the amazingly true story behind the still-proposed Plymouth Rock Studios in Massachusetts…

“Grown Ups,” starring Adam Sandler and an ensemble cast including many other former “Saturday Night Live” cast members, came to Essex last spring and did the majority of its filming on location on Chebacco Lake, with Centennial Grove used as a Connecticut lake house visited by Sandler’s character, four of his childhood friends and their families. The cast and crew’s presence on Cape Ann was felt throughout last summer, both financially and as a cultural boost. The town was paid $150,000 for the use of Centennial Grove from Lakefront Productions Inc. and received another $500 daily from September until November to keep the site untouched in case re-shoots were necessary. Many of the sets were decorated with pieces from Essex’s antique shops, and regular celebrity sightings around town created a buzz that lasted long after the crews left town.

Produced by the makers of the Peabody Award-winning series “Hopkins,” each episode focuses on critical cases at Massachusetts General Hospital, Children’s Hospital Boston and Brigham and Women’s Hospital. “Boston Med” is the cure for summertime TV blues.

The episodes jump among both routine and unusual cases at three local institutions — Mass. General, Brigham and Women’s, and Children’s Hospital — without hokey manipulations.

For the first time ever, two major motion pictures shot extensively in Massachusetts are opening in the same week. “Knight and Day,” starring Tom Cruise and Cameron Diaz, opens Wednesday. It was shot in Boston and other locations including a field in Bridgewater, where an airliner was blown up. “Grown Ups,” a comedy starring Adam Sandler, Chris Rock, David Spade, Kevin James and Rob Schneider, opens on Friday. Much of the film was shot in the town of Essex.

Tom Cruise and Cameron Diaz met with a group of special needs students from Bridgewater-Raynham High School. Their teacher, Kara Kuntupis, had invited the stars to visit the school and eat at the cafeteria that the kids run. Cruise and Cameron instead invited the kids, teachers and one parent each on location. The actors treated them to an ice cream bar, chatted and posed for individual pictures, which they later autographed and mailed back to the students. “They still feel like they’re these little stars,” Lynn Temme, one of the classroom aides, said Tuesday.


A pack of Bridgewater State College students were honored earlier this month for creating the funniest film at Campus MovieFest, a national film festival for college students.

Adam Sandler pays homage to the local colleges in his new made-in-Mass. flick, which opens Friday. In “Grown Ups,” Adam wears a different New England university T-shirt or cap in almost every scene, including swag from BU, Harvard, and UMass.

“Knight and Day’’ is a movie that indulges our local audiences with a balletic high-speed shoot-out through the highways of downtown Boston. (The fantasy lies not in the flipping cars and trucks but in the notion that any traffic could move this fast on the Southeast Expressway.) After 40 minutes or so of casually destroying our fair city, the movie moves on to Salzburg, Seville, the Azores; tax credits or no, it’s flattering to think we’re in the same league. Oh, and it’s apparently illegal to shoot a movie in Boston without getting a chopper shot of the Zakim Bridge. Accept it — as far as Hollywood is concerned, the Zakim’s our Eiffel Tower.

Rugged seaside beauty has lured scores of filmmakers and actors to Cape Ann, as they discover what an ideal setting it is for making movies.