When we who write about the working class and underclass in Boston choose to do so, “crime fiction” (and its cinematic brother, film noir) often best serve our purpose. The crime novel is custom built to address issues of class warfare and the ills society foists on the people it flies over. When Dickens wrote about the underclass in London, I’m sure there were those who would have preferred he write about the Upper Crust–but that would be to miss the point. Dickens’s London wasn’t the London, it was a London. And so it is with Ben Affleck’s Boston.



